Friday, December 10, 2010

Liszt's Sposalizio vs Debussy's Arabesque No.1 (Paper, 2007)

Imagination, Stasis and Motion
In the Piano Music of Liszt and Debussy
A Discussion of Sposalizio and Arabesque No.1

From
Années de Pèlerinage, Deuxième année: Italie, No. 1
(“Years of Pilgrimage, Year Two: Italy, No. 1)
and
Deux Arabesques, No. 1 (1888)

Author: Payman Akhlaghi
Subject: Music Analysis, Comparative Musicology
Submitted: 2007, UCLA, As a Graduate Studies Academic Paper
English, 33 Pages
Published on Scribd: Free to Read.

Excerpt from the introduction:

"Perhaps no two musical oeuvres would leave more distant impressions on the ‎listener than those of Franz Liszt (1811-1886) and Claude Debussy (1862-1918). After ‎all, Liszt is better known for his dazzling bravura than the quiet harmonies of his late ‎period, while the subtlety of taste in almost everything Debussy wrote has made his music ‎stand for all things French.‎

And yet, as implausible it might sound, the two shared enough to make a ‎comparative study of their works meaningful. First, both Liszt and Debussy loved the ‎piano and wrote for it affectionately, enhancing the technical, timbral and expressive ‎potentials of the instrument to its limits. At the same time, unlike their common idol, ‎Frederic Chopin (1810-1849), this affection did not come at the expense of all other that ‎were not piano, as their output embraced orchestral music too with equal dedication.‎

Second, both composers had a strong predilection toward poetry proper, French in ‎particular, as well as the evocative force of poetic imagery and suggestive titles on the ‎music they wrote: Les Préludes (1848/1854) was comprised of Liszt’s impressions from ‎the poem by Lamartine, while Debussy’s Prélude à l’après-midi d’un faune (1894) ‎captured the world of Mallarmé’s poem in music. Again, this fact alone sets them apart ‎from Chopin, whose choice [...]" Read More on Scribd


(*) Payman Akhlaghi is a composer, pianist, and piano teacher, who offers lessons in Western Classical and Pop, as well as Persian music, covering the Greater Los Angeles area, including Beverly Hills, West LA, Santa Monica, Brentwood Culver City, Encino, and their surrounding neighborhoods. Payman holds a BA and an MA both in Music (Composition) from UCLA, and he's currently working on his dissertation toward the degree of PhD, also in Composition. For information on lessons at your home, or performance engagements, please call (310) 208-2927, or send an email to PALetters@aol.com.


پیمان اخلاقی آهنگساز، پیانیست و آموزندۀ فن نوازندگی پیانو، مقیم لس آنجلس است. پیمان دارای مدارک لیسانس و فوق لیسانس در رشتۀ آهنگسازی از یو سی ال ای است، و در حال حاضر مشغول کار بر تز دکترای خویش در همین رشته است. در صورتی که مایل به کسب اطلاعات بیشتر پیرامون تدریس در منزل خود و یا ارائۀ برنامه در کنسرت ها و مراسم عروسی یا اردوور هستید، لطفا با شماره تلفن یا ایمیل زیر تماس حاصل کنید:

Piano Lessons Covering the Greater Los Angeles Area
Classical, Pop, Film, Persian Music
Solo Piano Performance at Private Recitals, Weddings, Receptions, etc.
(310) 208-2927
PALetters@aol.com

[Payman Akhlaghi, (Peyman Akhlaghi), پیمان اخلاقی, Akhlagi, Aklagi, Aklaghi]

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